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http://www.velourmusic.com/kakiking/kewpie.mp3
http://www.velourmusic.com/kakiking/steamed.mp3
http://www.velourmusic.com/kakiking/carmine.mp3


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µoªíµoªí©ó: ¬P´Á¤@ ¤»¤ë 16, 2003 1:36 pm    ¤å³¹¥DÃD: Re: ³o­Ó©j©jkaki kingªº¥\¤Ò¤]ÆZ¤F±oªº ¥â ¤Þ¨¥¦^ÂÐ

BIO

Thumping bass lines, tapping melodies, and slapping percussion on her guitar, Kaki King is a one-woman force sent to wreak acoustic havoc. At 23, she is already a riveting performer, combining jaw-dropping technique with unique compositions. Though her style and tunings are suggestive of Michael Hedges, Kaki is more about the L train to Williamsburg than placid landscapes. Her playing has a passion and an edge that keeps her tenuously balanced, one foot in the acoustic world, the other in rock'n'roll.

Kaki began classical guitar lessons at age five, but like all sensible children, thought the instrument was a waste of time. Her interest was revived a decade later when she discovered her father's solo guitar record collection. Using intricate tunings and neck tapping, Kaki became focused on writing instrumental music. In 1999, Kaki moved up to New York to attend NYU, and emerged three years later with a humanities degree that allowed her to complete only the feeblest of crossword puzzles. "I want to be either a vagabond street performer or a sassy bar rat," she told a professor inquiring about her future plans, to which the professor replied, "With your handsome looks and ragamuffin charm, I'm sure you'll be able to do both." And so she did, honing her guitar skills in the New York subways in the daytime and pulling beer at a rock club at night.

In 2002, Kaki recorded a collection of songs she had written during her college years. The demo landed her a two-month residency at New York's Knitting Factory and also got the attention of the Velour Music Group, the New York-based music company that launched Soulive. Recently, Kaki joined Velour artist Lettuce on a West Coast and Northeast tour that included stops at the Great American Music Hall, the House of Blues, the Bowery Ballroom and other prestigious venues. The diminutive Kaki captivated the boisterous crowds, lured them in and blew them away, leaving music lovers on both coasts buzzing.

EVERYBODY LOVES YOU (Velour), is a beautiful and varied collection of new and old Kaki originals. Kaki describes it as "A compilation of different musical thoughts I had while trying to mess up everyone's idea of how the guitar is played." From the virtuosic, pulsing rhythms of "Kewpie Station" to the ethereal, timeless beauty of "Night After Sidewalk" to the dynamic passion of "Joi," Kaki proves herself to be as expressive and diverse as any acoustic instrumentalist of any age. For those still wanting to learn more, the CD also features a four-minute video, numerous photographs and three bonus tracks accessible through a computer.

Kaki is now ready to continue to take her music on the road. Following three luminous nights at Irving Plaza in New York supporting Marianne Faithful, she has been invited to share the stage with such diverse artists as Richard Thompson, Soulive, Rich Robinson, Robert Randolph and Tony Levin. She also will play the prestigious Bonnaroo and High Sierra festivals this summer. When not on the road, Kaki performs in the band of the off-Broadway smash Blue Man Group.
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Thumping bass lines, tapping melodies, and slapping percussion on her guitar, Kaki King is a one-woman force sent to wreak acoustic havoc. At 23, she is already a riveting performer, combining jaw-dropping technique with unique compositions. Though her style and tunings are suggestive of Michael Hedges, Kaki is more about the L train to Williamsburg than placid landscapes. Her playing has a passion and an edge that keeps her tenuously balanced, one foot in the acoustic world, the other in rock'n'roll.

Kaki began classical guitar lessons at age five, but like all sensible children, thought the instrument was a waste of time. Her interest was revived a decade later when she discovered her father's solo guitar record collection. Using intricate tunings and neck tapping, Kaki became focused on writing instrumental music. In 1999, Kaki moved up to New York to attend NYU, and emerged three years later with a humanities degree that allowed her to complete only the feeblest of crossword puzzles. "I want to be either a vagabond street performer or a sassy bar rat," she told a professor inquiring about her future plans, to which the professor replied, "With your handsome looks and ragamuffin charm, I'm sure you'll be able to do both." And so she did, honing her guitar skills in the New York subways in the daytime and pulling beer at a rock club at night.

In 2002, Kaki recorded a collection of songs she had written during her college years. The demo landed her a two-month residency at New York's Knitting Factory and also got the attention of the Velour Music Group, the New York-based music company that launched Soulive. Recently, Kaki joined Velour artist Lettuce on a West Coast and Northeast tour that included stops at the Great American Music Hall, the House of Blues, the Bowery Ballroom and other prestigious venues. The diminutive Kaki captivated the boisterous crowds, lured them in and blew them away, leaving music lovers on both coasts buzzing.

EVERYBODY LOVES YOU (Velour), is a beautiful and varied collection of new and old Kaki originals. Kaki describes it as "A compilation of different musical thoughts I had while trying to mess up everyone's idea of how the guitar is played." From the virtuosic, pulsing rhythms of "Kewpie Station" to the ethereal, timeless beauty of "Night After Sidewalk" to the dynamic passion of "Joi," Kaki proves herself to be as expressive and diverse as any acoustic instrumentalist of any age. For those still wanting to learn more, the CD also features a four-minute video, numerous photographs and three bonus tracks accessible through a computer.

Kaki is now ready to continue to take her music on the road. Following three luminous nights at Irving Plaza in New York supporting Marianne Faithful, she has been invited to share the stage with such diverse artists as Richard Thompson, Soulive, Rich Robinson, Robert Randolph and Tony Levin. She also will play the prestigious Bonnaroo and High Sierra festivals this summer. When not on the road, Kaki performs in the band of the off-Broadway smash Blue Man Group.


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µoªíµoªí©ó: ¬P´Á¤@ ¤»¤ë 16, 2003 11:30 pm    ¤å³¹¥DÃD: Re: ³o­Ó©j©jkaki kingªº¥\¤Ò¤]ÆZ¤F±oªº ¥â ¤Þ¨¥¦^ÂÐ

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Thumping bass lines, tapping melodies, and slapping percussion on her guitar, Kaki King is a one-woman force sent to wreak acoustic havoc. At 23, she is already a riveting performer, combining jaw-dropping technique with unique compositions. Though her style and tunings are suggestive of Michael Hedges, Kaki is more about the L train to Williamsburg than placid landscapes. Her playing has a passion and an edge that keeps her tenuously balanced, one foot in the acoustic world, the other in rock'n'roll.

Kaki began classical guitar lessons at age five, but like all sensible children, thought the instrument was a waste of time. Her interest was revived a decade later when she discovered her father's solo guitar record collection. Using intricate tunings and neck tapping, Kaki became focused on writing instrumental music. In 1999, Kaki moved up to New York to attend NYU, and emerged three years later with a humanities degree that allowed her to complete only the feeblest of crossword puzzles. "I want to be either a vagabond street performer or a sassy bar rat," she told a professor inquiring about her future plans, to which the professor replied, "With your handsome looks and ragamuffin charm, I'm sure you'll be able to do both." And so she did, honing her guitar skills in the New York subways in the daytime and pulling beer at a rock club at night.

In 2002, Kaki recorded a collection of songs she had written during her college years. The demo landed her a two-month residency at New York's Knitting Factory and also got the attention of the Velour Music Group, the New York-based music company that launched Soulive. Recently, Kaki joined Velour artist Lettuce on a West Coast and Northeast tour that included stops at the Great American Music Hall, the House of Blues, the Bowery Ballroom and other prestigious venues. The diminutive Kaki captivated the boisterous crowds, lured them in and blew them away, leaving music lovers on both coasts buzzing.

EVERYBODY LOVES YOU (Velour), is a beautiful and varied collection of new and old Kaki originals. Kaki describes it as "A compilation of different musical thoughts I had while trying to mess up everyone's idea of how the guitar is played." From the virtuosic, pulsing rhythms of "Kewpie Station" to the ethereal, timeless beauty of "Night After Sidewalk" to the dynamic passion of "Joi," Kaki proves herself to be as expressive and diverse as any acoustic instrumentalist of any age. For those still wanting to learn more, the CD also features a four-minute video, numerous photographs and three bonus tracks accessible through a computer.

Kaki is now ready to continue to take her music on the road. Following three luminous nights at Irving Plaza in New York supporting Marianne Faithful, she has been invited to share the stage with such diverse artists as Richard Thompson, Soulive, Rich Robinson, Robert Randolph and Tony Levin. She also will play the prestigious Bonnaroo and High Sierra festivals this summer. When not on the road, Kaki performs in the band of the off-Broadway smash Blue Man Group.


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